Decisamente belli. I temi mi sembrano abbastanza ricercati e originali e realizzati in maniera decisamente chiara e pulita. Continua cosi perché sei decisamente sulla strada giusta ;)
Mara Chiritescu: "Chipul interior al sufletului netrecator salasluieste in expresia sigura a liniei. Sa fie oare posibil de exprimat atat de evident si misterios? Se pare ca da. Multumesc Marina ca ne-ai ingaduit sa te urmam."
It is fascinating to watch how people relate to a work of art which is not a masterpiece a priori. Some may enrich its meanings and increase its value or it can be impoverished and subvalued just because the viewers lack in perspective and abstract thought. That is why the evaluation criteria of art regard mainly the technique where people may easily say "Yes, I could do that too or No, I couldn't even after years of practise". Another one is that of form, the figurative art, which allows more viewers to have a say in it as long as a chair looks like a chair for instance. The more you enter the abstract zone the less honest viewers dare to join in and the artist himself is more easily suspected of his intentions. Generally for people more means safety while less means unsafety, forgetting the very essence of life: there is no certainty. The one who doesn't get used to that eventually has actually missed the point all along. :)
Decisamente belli. I temi mi sembrano abbastanza ricercati e originali e realizzati in maniera decisamente chiara e pulita. Continua cosi perché sei decisamente sulla strada giusta ;)
RispondiEliminaMara Chiritescu: "Chipul interior al sufletului netrecator salasluieste in expresia sigura a liniei. Sa fie oare posibil de exprimat atat de evident si misterios? Se pare ca da. Multumesc Marina ca ne-ai ingaduit sa te urmam."
RispondiEliminaP.A.(Olanda): "I like your work it brings me be to some actual base of being."
RispondiEliminaIt is fascinating to watch how people relate to a work of art which is not a masterpiece a priori. Some may enrich its meanings and increase its value or it can be impoverished and subvalued just because the viewers lack in perspective and abstract thought. That is why the evaluation criteria of art regard mainly the technique where people may easily say "Yes, I could do that too or No, I couldn't even after years of practise". Another one is that of form, the figurative art, which allows more viewers to have a say in it as long as a chair looks like a chair for instance. The more you enter the abstract zone the less honest viewers dare to join in and the artist himself is more easily suspected of his intentions.
RispondiEliminaGenerally for people more means safety while less means unsafety, forgetting the very essence of life: there is no certainty. The one who doesn't get used to that eventually has actually missed the point all along. :)